Reflections is a quiet and contemplative piece carved from white translucent alabaster. The simplified form of the polar bear, poised above its mirrored image, creates a sense of introspection and stillness. Light passing through the stone gives the sculpture an ethereal glow, while the symmetry between the bear and its reflection suggests themes of identity, solitude, and the fragile beauty of the Arctic world.

The Last Tango is a graceful carving in white translucent alabaster depicting two polar bears locked in a tender dance. Their simplified, flowing forms create a sense of movement and intimacy, while the glowing translucency of the stone lends the sculpture a quiet, dreamlike warmth. Beneath its elegance lies a subtle poignancy — a fleeting moment of connection set against the fragile and vanishing world of the Arctic.

Surprise captures a moment of quiet curiosity on the Arctic ice. A massive polar bear, carved from luminous white alabaster, lowers its head toward a sleek black chlorite seal resting calmly before it. The contrast between the two stones heightens the tension and playfulness of the encounter - predator and prey

suspended in a fleeting instant of mutual awareness. Set upon a rough natural ice sheet, the sculpture balances simplicity of form with a gentle sense of narrative and emotion.

Algonquin captures two wolves in a moment of primal dialogue, their raised muzzles suggesting a shared howl echoing through the northern wilderness. Carved from alabaster, the sculptures balance stylized simplicity with  elongated forms. The smooth flowing lines evoke both the elegance of Art Deco and the timeless spirit of the Canadian wild. Resting on rough natural stone bases, the polished wolves seem to emerge directly from the rugged landscape, embodying companionship, instinct, and the haunting solitude of the forest.

The Snowgoose is a graceful carving in tupelo wood that captures the effortless motion of a goose in flight. The elongated neck, sweeping wings, and streamlined form give the piece a strong sense of movement and lift, while the smooth painted surfaces evoke the clean elegance of Art Deco sculpture. Poised between realism and abstraction, the work conveys both the freedom and quiet majesty of a migrating bird crossing northern skies.

Carved from white translucent alabaster and Tupelo, Waiting for Heracles explores the theme of the ancient Greek myth of Prometheus. 

Young Owl is a warm and contemplative sculpture carved from caramel alabaster, its softly glowing surface giving the piece an almost amber-like radiance. Simplified flowing forms and gently rounded contours lend the owl a quiet innocence, while the delicately textured facial details suggest alertness and curiosity. Perched calmly upon its base, the figure balances stylization with natural character, capturing the stillness and mystery often associated with owls. The translucent qualities of the alabaster allow light to move through the stone, giving the sculpture a gentle inner warmth and life.

Momma Owl is a warm and affectionate carving in caramel alabaster depicting a protective mother owl beside her young. The smooth, simplified forms give the sculpture a quiet dignity, while the richly veined stone glows with earthy amber tones. The contrast between the large, watchful parent and the smaller owlettes nestled close at her side creates a touching sense of guardianship, wisdom, and familial closeness.

Queen of the Night captures the quiet authority and watchful presence of the great horned owl. Carved from richly veined raspberry alabaster, the sculpture balances simplified Art Deco forms with gentle naturalism. The softly rounded body and deeply set eyes give the owl a calm, contemplative dignity, while the flowing stone patterns suggest feathers merging into shadow. Resting on a rugged wood base, the piece evokes the silent mystery of a Great Horned Owl surveying the darkness.

Sleepy Old Owl is a serene and understated carving in raspberry alabaster that captures an owl at rest. Its simplified, rounded form and softly incised features evoke stillness, wisdom, and age, while the warm natural veining of the stone gives the piece a gentle organic presence. The stylized eyes, almost dreamlike in appearance, suggest a creature suspended between watchfulness and sleep.

He’s Got the Whole World is a graceful and symbolic sculpture carved from white translucent alabaster and lapis lazuli, inspired by the beloved African American gospel song. Rising upward in a single flowing form, the hand gently cradles a polished blue sphere, suggesting both the fragility of the Earth and the strength required to hold it. The luminous alabaster gives the piece an almost spiritual presence. Minimal yet deeply expressive, the sculpture speaks of protection, faith, humility, and the enduring hope that the world rests in caring hands.

Namibia is a powerful deep relief carving in African marble that evokes the spirit of the African landscape through stylized, Art Deco-inspired forms. The elongated gazelle-like figure appears suspended between movement and monumentality, its sweeping lines and textured surfaces suggesting both speed and the rugged terrain of the savannah. The dark stone lends the piece a primal, ancient presence, while the abstracted geometry gives it a distinctly modern elegance.